During a revealing discussion, Miranda Otto reflects on topics ranging from her newest character as Queen of the Cuttlefish to the invaluable wisdom gleaned from onstage mishaps and meeting admirers.
Your latest character portrays Queen of the Cuttlefish in The Pout-Pout Fish; supposing you had the opportunity to be a fish for a day, which one would you choose and why?
Without hesitation, that particular fish residing near Clovelly beach – since it is a local landmark, and individuals visit to see it. I just think it’s cool that there’s a local fish that people actually seek out and discuss – it holds a unique status.
Which movie do you repeatedly watch, and why?
The 1942 comedy To Be Or Not To Be. I love this film. When I was childhood, it used to come on the ABC every now and again, and one time I recorded it. I just thought it was so funny. It stars the legendary Carole Lombard and Jack Benny. Recently they were showing it at a cinema and I discovered that it was also the favourite film of an acquaintance, and so we went and just laughed repeatedly. It’s such great piece of humor and the entire cast in it are superb. Mel Brooks remade it in the 1980s – which was not successful. But the original film is a brilliant comedy, worth viewing often.
What’s the best lesson you took away from someone a colleague?
I was doing A Doll’s House with Pete – now my spouse, but back then we were not a couple. We portrayed characters as scene partners and on opening night I stumbled – I jumped ahead some dialogue in the script. I didn’t know what I’d done but I abruptly sensed something wasn’t right. I remember glancing toward him, and he expertly rescued the moment, and then our performance regained momentum and went really, really well. But I think what I learned in that moment was, first, always trust the people you’re working with. When you lose your place, by looking and look at the people you’re with, you will find where you’re meant to be somehow. It is a profoundly communal thing, performing live. And next, to maintain a lighthearted attitude about it. Sometimes when something goes wrong, things actually spark off in a really great way if you’re really present then. It can be an unexpected boon when things go absolutely the wrong way.
Can you describe your most memorable interaction with a fan?
There isn't just one specific meeting but when I meet fans of Lord of the Rings, especially female fans, I am told numerous stories about how that character impacted them when they were younger … events that occurred in their lives and the extent to which that character signified for them and was a form of support to them in those times.
Which questions get asked about the most by Lord of the Rings fans?
The most specific question is always about that infamous meal her character prepares for Aragorn. “Did that stew taste as terrible as it looked?” It’s become such a joke, the entire episode involving that dish, and all fans wish to know what was in the pot, and its preparation method, and do you think her skills improved now, or do you believe she really is a poor chef? Fans seem, I think, fascinated by the comedy of that situation. And I provide lengthy descriptions describing the ingredients that made up the concoction – as I recall what they did; like they even adding pieces of red cotton to simulate the appearance like blood vessels in the meat. The crew employed extreme measures to make it look as bad as they could.
What’s been your most embarrassing run-in with a famous person?
I was at a pilates class and another participant lying down exercising, and the instructor said to me, “Hello Miranda, meet Miranda.” And I made a lighthearted remark about, “might you be a journalist?” Because it’s an unusual name and often when someone’s a Miranda, they’re a journalist. I hadn't properly seeing who it was. And as she rose, it was the actress Miranda Richardson. At that point, I was at a loss for words. I was obliged to stay and do my class, and I experienced intense awkwardness. I wished to explain: “Oh my gosh, I do know your work!” I think she’s so fabulous and I was simply too awestruck to say anything.
Articles have confidently claimed that you were given your name from Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you settle the matter once and for all?
Yes – I was named after a district in Sydney. Mum heard on the radio that they were opening a mall at Miranda, and the name seemed a pleasant choice.
What was the chaotic thing that’s ever happened on set?
While working in Brazil for the film Reaching for the Moon I experienced the least organized set I’ve ever worked on, and yet the final product emerged brilliantly. But they just work in such a different way. Their concept of time there is really different. Typically, you normally have a call sheet and must arrive on set by a certain time. But this was sort of flexible – you come on set whenever you happen to be ready. It was a really different way of working for me. All aspects were being assembled at the final moment, and at times they wouldn’t know where they were shooting or the methodology. And then I would be in during a scene and wondering, “What caused that sound that just interrupted the scene? Ah, it was the producer popping open a bottle on set, because he’s making a party.” The result was excellent, but wow, it’s a distinct style of film-making.
Do you have a secretly good at?
I naturally possess an aptitude for numbers. I retain numbers easier than I memorise words often, I simply have a numerically-oriented mind. So I believe had I not pursued acting, I likely might have worked in something to do with numbers, like mathematics or finance.
What is the greatest piece of advice you have ever received?
During my time in high school, a speaker addressed us when we were graduating and they said, “have no fear to fail” … which I think is supremely valuable counsel, because you learn far more from setbacks than is gained from success. Success, one rarely understand precisely why it happened. Failure, you learn so much more.
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