An recent term came to light a few months after the start of the military campaign against Gaza. Known as WCNSF, it signifies “Injured child with no living relatives”. This term is specific to Gaza, as stated by medical experts including child health specialists. Normally, it is unusual for physicians to care for a young patient who has seen the death of their whole family. Yet, there has been nothing “normal” about the genocide in Gaza, where whole bloodlines have been obliterated and the number of children who have lost limbs exceeds that of any other region in the world. Nothing normal in many doctors coming back from a landscape of rubble with accounts of children being systematically aimed at.
Conditions in Gaza persist as an utter catastrophe. Vital medicines and equipment are being blocked those in need, and groups like Amnesty International have stated that genocidal acts are continuing. The Israeli government has denied these allegations, consistent with how it refutes everything it is accused of. Yet as young survivors are now freezing in temporary shelters, there is some ostensibly positive news: nothing is going to stop the international singing competition from continuing with its declared purpose of “unity and cultural exchange.” Organizers will continue to roll out a blood-red carpet for Israel, although several European countries have now withdrawn in objection. Since this, it seems, is what global togetherness looks like.
The contest, notably banned Russia from competing in 2022 due to the “grave situation in Ukraine”. However, the situation in Gaza seems completely different.
Overlook the circumstance that Israel was accused of unfair vote practices last year in what appears to have been an effort to inject politics into Eurovision. Ignore the report that a three-year-old girl was reportedly killed in Gaza recently. Neglect the data that settler violence and coerced removal in the West Bank have increased dramatically. Overlook the situation that global media are still blocked from unfettered access in Gaza. This entire context, it would seem, should be allowed to get in the way of Eurovision’s cherished spirit of unity.
The contest reaches its seventieth anniversary next year – nearly twice the average life expectancy of a person in Gaza today. The event will proceed, but it will likely never recapture the whimsical pleasure it historically embodied. An institution that was originally built on togetherness has now become a cynical way to sanitize military aggression.
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Franklin Sampson
Franklin Sampson
Franklin Sampson